The Teleological Gaze: Part 5, What Is Business For?
The Teleological Gaze: Part 4, The Outward Turn
The Gospel According to The Lord of the Rings: Week 38, The Transfiguration of Mithrandir
The old man in Fangorn who approaches Aragorn, Gimli and Legolas isn't Saruman but Gandalf, miraculously back from the dead.
Back, but also changed.
As Fleming Rutledge observes, and I agree, many readers have too quickly made Gandalf the Christ-figure of the story due to this resurrection event. But there is no single Christ-figure in the story, there is, rather, Christlikeness found across the many characters as the drama unfolds. Gandalf, Frodo, Sam, Aragorn, and the others, all step into the spotlight at points to display Christlike virtues or motifs. And Gandalf's return is one of those moments.
And yet, other than being back from the dead, there is little in Gandalf's return that echos the resurrection of Jesus. At this point in the story the battle against evil is really just starting to ramp up, touch and go from here on out, the whole enterprise precarious. Gandalf has been sent back not in final victory but to keep the fight from faltering. From here on out, there's a swiftness and urgency to all his actions. The battle isn't won with his return, the battle is engaged.
And so, I think Rutledge is right to see the return of Gandalf as less a resurrection event than a transfiguration:
"Mithrandir!" [Legolas] cried. "Mithrandir!"
"Well met, I say to you again, Legolas!" said the old man.
They all gazed at him. His hair was white as snow in the sunshine; and gleaming white was his robe; the eyes under his deep brows were bright, piercing as the rays of the sun; power was in his hand. Between wonder, joy, and fear they stood and found no words to say.
At last Aragorn stirred. "Gandalf!" he said. "Beyond all hope you return to us in our need! What veil was over my sight? Gandalf!" Gimli said nothing, but sank to his knees, shading his eyes.
This transfiguration echos the transfiguration of Jesus. But also, Rutledge points out, other transfigurations in the Bible, like Moses' face glowing before the people of Israel.
And the point, obviously, is that this story isn't simply a story of human actors (well, humans plus dwarves, hobbits, and all the other physical creatures of Middle Earth). The drama has a metaphysical backdrop that here breaks into the story. There are deep supernatural (if we can use that word) forces at work, and here, with the return and transfiguration of Gandalf, they make their most visible, dramatic, and decisive appearance. An in-breaking that can only be described as one of grace, impossible hope, and joy. As Aragorn says, "Beyond all hope you return to us in our need!"
The Teleological Gaze: Part 3, After Virtue
The Teleological Gaze: Part 2, Manipulation and Meaninglessness
The Teleological Gaze: Part 1, Definitions
You Cannot Serve Both God and Twitter: Social Media and Spiritual Formation
This from Andrew Sullivan, speaking about our current political situation this election year:
[W]e will be lucky if the country doesn’t erupt in large-scale civil violence by the end of all this.
And the reason this dystopian scenario is so credible is not just the fault of these political actors. It’s ours too — thanks to the impact of social media. I think we’ve under-estimated just how deep the psychological damage has been in the Trump era — rewiring the minds of everyone, including your faithful correspondent, in ways that make democratic discourse harder and harder and harder to model. The new Netflix documentary, The Social Dilemma, is, for that reason, a true must-watch. It doesn’t say anything shockingly new, but it persuasively weaves together a whole bunch of points to reveal just how deeply and thoroughly fucked we are. Seriously, take a look.
The doc effectively shows how the information system necessary for democratic deliberation has, in effect, been jerry-rigged in the last decade to prevent any reasoning at all. It’s all about the feels, and the irrationality, and the moment...And what’s smart about the documentary is that it shows no evil genius behind this unspooling, no sinister plot deliberately to destroy our system of government. One of the more basic motives in American life — making money — is all you now need, the documentary shows, to detonate American democracy at its foundation.
For Facebook and Google and Instagram and Twitter, the business goal quickly became maximizing and monetizing human attention via addictive dopamine hits. Attention, they meticulously found, is correlated with emotional intensity, outrage, shock and provocation. Give artificial intelligence this simple knowledge about what distracts and compels humans, let the algorithms do their work, and the profits snowball. The cumulative effect — and it’s always in the same incendiary direction — is mass detachment from reality, and immersion in tribal fever.
With each passing second online, news stories, graphic videos, incendiary quotes, and outrages demonstrate their stunning utility to advertisers as attention seizers, are endlessly tweaked and finessed by AI to be even more effective, and thereby prime our brains for more of the same. They literally restructure our minds. They pickle us in propaganda. They use sophisticated psychological models to trap, beguile, outrage, and prompt us to seek more of the same.
Alternative views, unpleasant facts, discomforting arguments, contextualizing statistics, are, with ever-greater efficiency, filtered out of what our eyes can see and our minds absorb. And what we therefore believe becomes more fixed, axiomatic, self-reinforcing, and self-affirming. We become siloed into two affective tribes, with dehumanization of each other deepening with every news cycle.
I couldn't agree more.Things have gotten to such a point that I'm just about convinced that you can't be a Christian and be involved with social media.
You cannot serve both God and Twitter.
The Gospel According to The Lord of the Rings: Week 37, Watch and Wait
And here in this moment Fleming Rutledge's close reading of the text picks up another hint of the deep narrative of story:
Legolas took his bow and bent it, slowly and as if some other will resisted him. He held an arrow loosely in his hand but did not fit it to the string...
"Why are you waiting?..." [hissed Gimli].
"Legolas is right," said Aragorn quietly. "We may not shoot an old man so, at unawares and unchallenged, whatever fear or doubt be on us. Watch and wait!"
We've frequently highlighted the deep narrative, so the point should be obvious by now. Legolas doesn't quickly shoot the old man, he acts slowly "as if some other will resisted him." It's another subtle line about the "something else at work" that, when traced by Rutledge's close reading, shows up over and over again in the story.
Rutledge also examines Aragorn's actions in this moment as well.
First, we see a "habit of mercy" reappearing in the story, a habit that will return again and again in the drama to come, a habit that will in the end prove decisive.
And second, the call to "watch and wait," a richly biblical motif, mixes with the deep narrative in highlighting the complementary nature between the "other will" and the choices of the characters. The "other will" doesn't override or bully. Rather, it creates a space for wise discernment and reflection. The "other will" doesn't coerce, it makes room, creating a capacity for choice.
Reading Romans Backwards: Don't Be Arrogant
If some of the branches have been broken off, and you, though a wild olive shoot, have been grafted in among the others and now share in the nourishing sap from the olive root, do not consider yourself to be superior to those other branches. If you do, consider this: You do not support the root, but the root supports you. You will say then, “Branches were broken off so that I could be grafted in.” Granted. But they were broken off because of unbelief, and you stand by faith. Do not be arrogant, but tremble. For if God did not spare the natural branches, he will not spare you either.Notice how Paul is humbling the snobby Gentiles in their treatment of their Jewish brothers and sisters: "Do not consider yourself to be superior to those other branches," "You do not support the root, the root supports you," and "Do not be arrogant, but tremble."
Reading Romans Backwards: Yielding Power
We who are powerful need to be patient with the weakness of those who don’t have power, and not please ourselves.Clearer translations here get to the heart of Paul's pastoral recommendations. Paul isn't saying that the most offended person in the room gets their way. Which is how many churches have interpreted the text, that the squeakiest wheel gets the grease. Of course, if someone is offended we shouldn't blow that person off. But what Paul is talking about is more complicated than flat differences of conscience. Paul is talking about asymmetries of power, and he's asking the powerful to yield power in deference to those who have less power. Yes, the conflict between those who had power and those who did not was an offense being caused by the food that was on the table, but the deeper issue had to with who had the power to set the table in the first place. Who had control of the house and space. Who could dictate to whom. And Paul looks at those people, the powerful, and asks them to yield to the less powerful.
Reading Romans Backwards: Solving Conflicts Christologically
Gandhi's List of Social Sins
- Politics without principles.
- Wealth without work.
- Pleasure without conscience.
- Knowledge without character.
- Commerce without morality.
- Science without humanity.
- Worship without sacrifice.
The Gospel According to The Lord of the Rings: Week 36, Caring for Growing Things
Before moving on, let's sit one more week with Treebeard's assessment of Saruman: "He has a mind of metal and wheels, and he does not care for growing things."
In the story, the forces of good are those who care for growing things. The Hobbits of the Shire, Tom Bombadil, the Elves, Treebeard. The forces of darkness, by contrast, are those with minds of "metal and wheels," those who do not care for growing things.
This is not a novel observation. One of the most widely observed features of The Lord of the Rings is how it functions as a parable standing against industrialization and the destruction of nature.
But there's a peace witness at work here as well, as it's the making of war machines that causes the most devastation in the story.
The dark shadow of World War I is very clear in The Lord of the Rings. You can see how the young Tolkien, looking out over No Man's Land, the wasteland stretching for miles and miles between enemy trenches, that place where any hint of green was a sign of divine grace, came to see that vision as the very picture of darkness, evil and hell.
Shocking Apologetics
In these appeals, I've noticed something about my strategy. It takes a cue from Flannery O'Connor.
O'Connor used her novels and short stories to communicate spiritual truths and realities, but her stories where often violent, shocking, and disturbing. People would question and push her on her method, and she once shared the logic of her strategy:
The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost blind you draw large and startling figures.I've noticed with my students that in my conversations about faith I tend to draw "large and startling figures." I tend toward exaggeration and farce. I'm not saying this is wise or effective. It's just what I've found myself doing.
An example. I'll be in a statistics class. The students are on computers following along with what I am doing projected on the big screen. As you might expect, most students stay with me but others get lost and fall behind. So as we get started, I'll go on a long, comedic, come-to-Jesus sermon, pretending to be some revival preacher, about how we need to look to the left and to the right, noticing when our neighbors are struggling and falling behind. When you seen your neighbor falling behind, what would Jesus do? Jesus would lean over and guide his neighbor, getting them caught up. "THIS IS THE KINGDOM OF GOD, PEOPLE!!!" I'll shout (seriously, I really shout) "WE DON'T LEAVE EACH OTHER BEHIND!!!! Sure, you can just look at your own screen, not caring about anyone else in this world but yourself. You can be selfish! God will turn you over to your depraved mind. BUT IF YOU REALLY LOVED JESUS, you'd lift your head and look around for the people who need some help!!!!"
All this is said with great comedic exaggeration. I'm playing a character. A tent-revival preacher making an altar call, baptizing down by the river. Farce, exaggeration, and clowning.
Like I said, large and startling figures. Something small and minor is turned into this huge, momentous thing. All to make a point about Jesus and the Kingdom of God.
Abba Joseph and the Demon
“Release me, Father, and let me go,” pleaded the demon, “I will not come to tempt you again”.
“I will gladly do that, but on one condition,” replied the monk. “You must sing for me the song that you sang before God’s Throne on high, before your fall.”
The demon responded, “You know I cannot do that; it will cause me cruel torture and suffering. And besides, Father, no human ear can hear its ineffable sweetness and live, for you will surely die.”
“Then you will have to remain here in my cell,” said the monk, “and bear with me the full struggle of repentance.”
“Let me go, do not force me to suffer,” pleaded the demon.
“Ah, but then you must sing to me the song you sang on high before your fall with Satan.”
So the dark and miserable demon, seeing that there was no way out, began to sing, haltingly, barely audible at first, groping for words long forgotten. As he sang, the darkness which penetrated and surrounded him began slowly to dissipate. The song grew ever louder and increasingly stronger, and soon the demon was caught up in its sweetness, his voice fully lifted up in worship and praise. Boldly he sang of the power and the honour and the glory of the Triune God on High, Creator of the Universe, Master of Heaven and Earth, of all things visible and invisible. As the song sung on high before all ages resounded in the fullness of its might, a wondrous and glorious light penetrated the venerable Abba’s humble cell, and the walls which had enclosed it were no more. Ineffable love and joy surged into the very depths of the being of the radiant and glorious angel, as he ever so gently stooped down and covered with his wings the lifeless body of the old hermit who had liberated him from the abyss of hell.
--H/T to Eclectic Orthodoxy where I first saw this. There's doubt about if this is an authentic desert father story. But it's still a good story.
Pessimism as Political Theology
"Actually I am a Christian, and indeed a Roman Catholic, so that I do not expect 'history' to be anything but a 'long defeat' - though it contains (and in a legend may contain more clearly and movingly) some samples or glimpses of final victory."
--J.R.R. Tolkien
Human Dignity Beyond Sentiment: Part 6, The Paternalistic Threat
The Gospel According to The Lord of the Rings: Week 35, The Treebeard Option
After interrogating Merry and Pippin, Treebeard comes to realize that Saruman has become a threat to Fangorn and the whole of Middle Earth. The news isn't wholly unexpected, as Treebeard has been watching and worrying about Saruman for quite sometime. But the tipping point has come, action must be taken. Treebeard concludes:
"I cannot overlook him. I must do something, I suppose...I think that I now understand what he is up to. He is plotting to become a Power. He has a mind of metal and wheels, and he does not care for growing things...And now it is clear that he is a black traitor."
Fleming Rutledge makes a contrast here between Tom Bombadil and Treebeard. Recall our WILDLY CONTROVERSIAL Week 7 post on "the uselessness of Tom Bombadil," where, in contrast to Rivendell, Rutledge criticizes Bombadil for not caring about or participating in the struggle against Sauron. Many didn't like Tom being called out, arguing that Tom's work in caring for his patch of the world is a form of resistance. Alan Jacobs even speaks of us choosing the "the Bombadil Option."
All of which is very well argued and observed. Resistance can involve withdrawing from the larger fight to control history to care for the particular and the local. And yet, in the middle of that debate we find Treebeard, who seems to embody the best of both Rivendell and Bombadil. Like Tom, Treebeard is a caretaker and steward of the local and the particular. And yet, while slow and deliberative, Treebeard can be roused to take action against evil, joining Rivendell in the fight.
I know, I know, of the making of "Options" there seems to be no end. But our choice isn't just the Rivendell Option or the Bombadil Option, choosing, for example, between social justice warriors and the withdrawl of the Benedict Option. Between involvement in history versus care of the local and particular. There is a middle path here. There is the Treebeard Option. A preference for the local and the particular. A slow, considered, deliberative, wise and watchful approach to "getting involved." No emotional hot takes from the Ents! But also a capacity to be roused and get involved "for such a time as this."
For even the Ents, slow and patient as they are, get to a point where even they have to say, "I must do something."
Human Dignity Beyond Sentiment: Part 5, The Utopian Threat
Human Dignity Beyond Sentiment: Part 4, The Transhuman Threat
Human Dignity Beyond Sentiment: Part 3, The Utilitarian Threat
No infant - disabled or not - has as strong a claim to life as beings capable of seeing themselves as distinct entities, existing over time.