Which raises the question: What about sin and suffering in this "everything is spiritual" world?
Let's explore those aspects of Bulgakov's theology in this post.
In a sense, Bulgakov's sophiological treatment of sin, suffering, and evil flows out of his optimistic vision of the cosmos as founded upon divinity. Specifically, creaturely freedom plays a central role. As Bulgakov says, "Evil comes from creaturely freedom." A related issue here is creaturely becoming. Since the creaturely Sophia has a life that is marked by a degree of autonomy from God--the contrast between the creaturely and Divine Sophia--it is characterized by finitude. And finitude implies boundaries. As Bulgakov says, "Perfection is what is sought by, not given, to creatures." Given these limitations of creaturely life, there is a capacity for error and imperfection. Bulgakov: "The creative self-determination of creatures is subject to imperfection and error [which] allows for different paths and possibilities." Creation, then, is on a journey of becoming, actualizing, and seeking its final end, but these paths are not fixed or predetermined. Bulgakov:
Error and imperfection are, in a certain sense, the privilege of creatures, since their relation to the world is neither automatic nor instinctive. If the world were an automaton...it would operate with the precision of a mechanism or with the infallibility of instinct, but then there would be no place for creaturely creativity, which is synonymous with life.
Concerning creaturely freedom, as an Orthodox theologian, Bulgakov subscribes to the traditional view of a "double fall," an angelic rebellion followed by a human one. Much of the evil and chaos we observe in the world is a wound and sickness Satan has inflicted upon the "world soul" of the creaturely Sophia. As Bulgakov says, "The world soul becomes sick with demon possession." Human rebellion also contributes its share of damage.
Beyond the choices made in creaturely freedom, angelic and human, creation itself is characterized by raw powers and vital forces that are, as yet, untamed. Bulgakov:
[T]he world receives an independence to follow its destinies. This independence is realized in the world soul as the universal connecetedness, the total unity of creaturely being. The world soul is the creaturely Sophia in her actualization in being...[T]he world soul actualized the instinctive and, in this sense, blind thirst for and power of being. Her diverse elements sprout to life not only in harmonious agreement but also crowding one another, in a kind of "struggle for existence," according to their elemental nature. And this elemental nature contains not only the principle of life but also "Chronos devouring his children." It is not only...divine abundance but also...its own imperfection.
Therefore, in its proper being, the world soul is divided into "heaven and earth," as it were, the world of the angels as bearers of the sophianic prototypes of creation and the world of earth's reality, which has beneath it the seething tobu vabohu ["without form and void" from Genesis 1.3], the primordial chaos. Creation arises through the elemental forces of the world soul that it contains.
Summarizing, due to creaturely freedom life is open to creative possibilities, and some of those possibilities are marred by error and imperfection. In addition, creation itself is infused with raw, vital, and elemental forces that can be both destructive and harnessed for creative ends. These elemental forces are a source of life, creativity, and abundance, but they can also bring about suffering. The raw force of nature, in the words of Bulgakov, possess a "blindness and elemental character."
Looked at, then, as a whole, creation is in an unfinished state. Bulgakov: "It follows that the world in its actual state is by no means a perfect and finished mechanism, a mechanism that does not require active care or the guidance of God's providence...[Creation] can be subject to perversion and damage, being transformed from God's garden into an accursed earth. Through this perversion, the world, despite the sophianic roots of its being, can resist the ways of God."
Give this situation, the perversions and damage, along with the blind elemental forces, creation is set on a journey of becoming itself. In both its openness and raw potentialities, creation is unfinished. Thus, when God created the world, he didn't create a static, final perfection. Creation is not a glass menagerie or a fine china display. Humans are not robots or God's doll collection. Created life is, well, life. Open. Vital. Raw. Free. God created elemental forces and creaturely freedom as the raw materials for a creative endeavor. Creation is a task. Bulgakov:
Once it is summoned into being by God...[the world] faces the task of becoming itself, of actualizing its perfection in the creaturely Sophia on the basis of creaturely freedom. Therefore, in the life of nature, we have both the shining of the creaturely Sophia, the revelation of paradise, and the seething of the blind element, natural chaos...Nature is the symphony of the world that seeks the harmony of the spheres and to overcome its own dissonances.
God and humanity work together in this, helping creation fulfill the task of becoming itself. And, obviously, humanity cannot do this task all on its own. God must act to help humanity tame creation and to overcome its damage, imperfections, perversions, and error. Grace is needed. We'll turn to that in the next post.
